Music and Theatre for All, registered charity 1157016 

 1st December 2020 

ย ย 
To the Secretary of State for Culture, Media and Sportย ย 
100 Parliament Streetย ย 
Londonย ย 
SW1 2BQย ย 

Countlessย letters and articlesย have been writtenย which outlineย the parlous state theย live performingย artsย haveย found themselves over the past three years. Apart from the catastrophic loss to the treasury of a hugely successful international industry grinding to a halt (ยฃ5.8 billion a year) during the pandemic, the damage to the country’s mental health, the potential loss of a generation deprived of opportunities to see and be involved in live performance, and the devastation to people’s livelihoods, tell a story that demands a response.ย ย 

We cannot stand by and witness in silence the collapse of the entire cultural industry.ย It affects too many millions, professionals and non-professionals, at every level of society.ย Our country is crying out for new ideas, new strategies in line with the government’s Levelling Up and Let’s Create campaigns.ย 

At MTFA we have just such an idea. The solution thatย we are proposing has the potentialย not justย toย rescue,ย butย toย transform the performing arts in this country and ensure they come back better,ย more accessibleย and more resilient than ever.ย 

  • What if the best live performance was not just pandemic proof, but woven into local life across the UK?ย 
  • What if people didnโ€™t have to travel far to see it, it was safe, exciting, and it didnโ€™t cost the earth? 
  • What if culture worked with and for people in the heart of their communities, in an environmentally sustainable way? 

We are working with our partners to introduceย a national network ofย semi-permanent, recycledย performance spaces,ย that fitย in existing buildings, urban spaces and parks.ย Suiting a multitude of art forms, each space is built around the radical idea of a standardised ‘core’ – made up of a stage and a rig – that is adaptable, modular, and affordable.ย For a relatively small investment, and at a single, environmentally-friendly stroke,ย we canย revitalise and secureย the live performing arts in this country, creating thousands of jobs and opportunities, providing work for countless small businesses and freelancers, as well as investing in local communities.ย We are asking for your support to help bring together top professionals with schoolchildren, apprentices and local amateurs,ย and leavingย a lasting legacy of creative innovation and regeneration.ย 

We all want Britain to lead the way in the world. It is good for everyone – as long as our ideas are of value, and if we share them with compassion and understanding – and it is vital for our economy.  

By supporting this idea, youย will not only be helping an industry whichย has been on its knees for the last three years, youย wouldย alsoย send a signal to the world: Britain is still at the forefront of cultural innovation.ย ย 

The cultural landscape is changing. The futureย with whichย weโ€™reย facedย will be more local. Cities, work practices, community life: everything is changing. On top of this we areย experiencingย an environmental crisis which demands immediate action. When people go out, pandemic or not, they do not want to travel far.ย ย 

In short, it has never been more important for the best of our culture, the best of our live entertainment, to be accessible to as many people as possible, on their doorstep.  

Once on its feet, the network we are proposing is self-financing, turning a profit for the companies that work within its model. And the return on the investmentย to the country as a wholeย will be huge: it is nothing less than aย revitalised cultural sector worth billionsย to the economy, and a working, sustainable, future-proof industry, accessible to and benefitting everybody, and rightly famous across the world.ย ย We are in discussions with private social impact investors now, as well as NOP organisations such as the National Theatre and the Royal Opera House and local government. But we need central government backing too.

Itโ€™s time to build the new different. 

Yours sincerely, 

Thomas Guthrie
Artistic Director
Music and Theatre for All

Sir Richard Aikens
Chairman
Music and Theatre for All